Part 2 - Space and Permission
Welcome back
Space and permission.
What do I mean by
that? These two things come together to give you the best chance at writing
your best songs. You can ignore them, but you'll make life harder for yourself.
Space. What I'm
talking about here is a physical space where you can focus completely on the
job in hand. It might be you're lucky enough to have a dedicated music space in
your house, if that's so, take a moment next time you step in there and think
about how it feels to cross the threshold? Is it inspiring? Does it give you a
little lift just being in there?
If so, great. If not,
have a think about what's missing and whether that's easy to fix.
If it isn't then
you're in the same boat as everyone who doesn't have that space.
So find a different
space. Maybe that's a bench in a park. Maybe it's a seat in an understanding
coffee shop. Maybe it's the front seat of your car. I used to travel up and and
down to London a lot and two hours each way on the train gave me loads of
song-writing space.
But it has to be
somewhere you can focus.
If it's the most
inspiring room in the house but constantly interrupted by family members or you
can't hear yourself think because the washing machine has just hit the spin
cycle... Well that's not going to work.
Find the space that
works for you.
Right, got your space
sorted, now let's talk about permission.
I'm not talking about
permission from your housemate or neighbours to play music and make some noise,
I'm talking about permission from yourself to completely focus on the your
songwriting.
That means not
worrying about getting the washing out. Not just popping online to check
there's enough cash in the account to pay the bills.
It means allowing
yourself to stay in your music space until 2am to finish a song if that's what
it takes.
It means ignoring the
texts, emails, Whatsapp notifications and every other distraction that creeps
into our lives.
But Drew! I hear you
cry. I live in the real world! I have family, and obligations, and bills that actually
need paying!
And I understand
that, and that's why this bit is so important and so difficult.
So here are three
good ways to tackle that intrusion of the real world.
Firstly, there's the
easy-but-expensive route. Book yourself onto some artists retreat somewhere. I
have done it a couple of times and they're brilliant. You get inspiration, a
bit of camaraderie, minimal obligations (maybe a share of the cooking), but
fundamentally you get protected time.
But they do tend to
cost a fortune.
So the second option
is to arrange your own retreat. Hook up with some band mates, or friends with
different hobbies entirely, and book an Airbnb somewhere. But be really clear
with everyone why you're there. It's on you to protect your time.
You don't even actually
need to go anywhere.
Which brings us to
option three. And that's to be open with all those people and things that are a
demand on your time and negotiate that protected time.
Maybe it means a
staycation with no plans. Maybe it means Monday evening between 7 and 10. Maybe
it's alternate Sunday afternoons after the kids are back from football.
But somehow you are
going to have to give yourself the gift of some time.
Because whilst some
songs spring out of nowhere and are done in 10 glorious minutes, most aren't.
They need to be teased, cajoled and nurtured into being.
And that needs
serious, protected time.
As a friend of mind
says, if you don't take yourself seriously, why would anyone else?
Drew, there is some very useful insights here. The negotiation of protected time free from “real life commitments” is hard. In fact I’d say it’s my single biggest block. Much of this might be as much about feeling “guilty” about being in the studio when there are other things to do rather than others tutting when I head to the studio! Great series.
ReplyDeleteHi Ian, I agree it is a real challenge for a lot of people. Hence tackling it right at the beginning of the series. For me what opened my eyes to it was going on one of these writing retreats and realising how productive I was when there were no other commitments. But in a lot of cases it's really about getting permission from ourselves first and foremost.
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